![]() ![]() However, both of these methods, while usually more unobtrusive then peak limiting, have their downfalls. One of the more popular techniques is the use of saturation in both the analog and digital domain. Some of the top mastering engineers have found ways to combat this sonic degradation by using techniques other then Peak Limiting. Peak limiters attenuate transients and often reduce punch, stereo imaging, can greatly alter mix balances, and cause a fatiguing result to the ears. ![]() One of the main causes of this epidemic is the use of the Peak Limiter to achieve increased levels in the mastering stage. Masters have become louder and louder, at the expense of the music becoming harsh and lacking punch and dynamics. The Concept Imagine mastering your mixes without causing the lifeless, squashed, and over compressed sound that has become so common in modern music.
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